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The drama got Dada into spotlight and also gave him an entry into Marathi movies through a role in Bhalji Pendharkar's movie "Tambdi Maati". The drama went on to play over 1500 shows and made Dada a star. Sabnis was impressed with Dada's personality and his performance in "Khankhanpurcha Raja" (literal translation, Bankrupt king), and wrote a drama entitled, "Vichha Majhi Puri Kara" (literal translation, Fulfill my desires), which was a turning point in Dada's life. Dada decided to play big and started his own drama company, and approached Sabnis to compose a drama script for him. He started working in drama's and came in contact with various drama related personalities one of who was Vasant Sabnis, a well known Marathi writer. It was during this time that Dada got involved in cultural activities of Seva Dal. Dada became a member of a local band which earned him the nickname "Bandwale Dada" (literally translation, 'big brother who plays for the band'). The recovery process changed Dada completely who decided to stay focused on the lighter side of life and make people around laugh. It was then that Dada lost most of his immediate family to unfortunate events. As a youngster Dada was a rough kid who later on took up job in a local grocery retail chain, Apna Bazaar. Early lifeÄada's early life was spent in chawls of Naigaum, a Marathi heartland of Mumbai. Dada was a native of Ingavali in Bhor which is in Pune district of Maharashtra. This learning can be seen in his movies which targeted masses over classes. While working for drama Dada toured all over Maharashtra which helped him understand what entertainment meant to the local population. Dada had started his entertainment career with a band and then as a stage actor. Tamasha and stage drama's have always played an important role in Marathi entertainment industry. Dada's movies targeted this section of the society. This section of the society was well connected to their rural roots. These workers were mostly migrants to the city of Mumbai looking for employment in the prospering cotton mills.
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The next film he attempted was La'Bela but that too was a commercial failure.Dada Kondke was a born in a mill-worker's family in Naigaum, near Lalbaug, Mumbai. Ramchandra and Geeta Bali together again in Jhamela (1953), where he tried to recreate the formulaic success of Albela with little success. The songs of the film, in particular "Shola jo bhadke" are still remembered. On advice from Raj Kapoor he turned to making a social film called Albela starring Bhagwan and Geeta Bali, and featuring music by his friend Chitalkar, or C. He turned producer in 1942 with Jagruti Pictures and owned Jagriti Studios in Chembur in 1947.
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Three years of treatment later Pawar was left with a defective left eye. He accidentally slapped her very hard, which resulted in facial paralysis and a burst left eye vein.
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In 1942, as part of a scene, he had to slap actress Lalita Pawar hard. Radha and Sri Lankan actress Thavamani Devi. One of the notable films that he made during this period was the Tamil film Vana Mohini(1941) that starred M. From 1938 to 1949 he directed a string of low budget stunt and action films that were popular with the working classes. He co-directed his first film Bahadur Kisan with Pawar in 1938. Careerīhagwan Abhaji Palav, popularly known as Bhagwan dada, mainly due to his love for wrestling, made his debut in silent era with the film Criminal. He learnt film making and at one stage used to make low-budget films (in which he arranged for everything including the design of costumes and arranging meals for the cast) for Rs. He got his break with bit roles in silent films and got totally involved with the studios. He worked as a labourer but dreamt of films. He was the son of a textile mill worker but was obsessed with films. Bhagwan Dada was born in 1913 as Bhagwan Abhaji Palav in Sindhudurga, Maharashtra.